VFX/Post Production/DI

Senior VFX Editor with over 10+ years experience. Client-side or Studio-side VFX editorial. Color management and ingest and delivery. Post production, editorial, conform and mastering. Digital Intermediate support and color timing.

Video Technician/DIT

Video Technician/DIT support for small to large scale productions. Working with camera operators, DPs and producers to ensure color-accurate original camera media is safely transcoded, delivered and backed up.

Email: bonstonelive@gmail.com - Call or Text: 510.846.5832

LinkedIn - IMDB - VES

Shoot/Edit/Graphics/Post

From shooting original content, to editing, graphics and vfx to final post production and delivery for marketing, commercial and technology.

Music Videos and Lyric Videos

Your footage, stock footage or new footage cut to your song as a full-fledged music video or a lyric video with animation or full-motion video.

Bio

I’m a video technician, editor and VFX artist. based in the San Francisco Bay Area.

I began my career as a post-production technical assistant and eventually a supervisor in commercial post production in San Francisco, CA.  I made my way to Industrial Light & Magic in Marin County (and eventually back to San Francisco, CA) as a technical operations supervisor and then a visual effects editor.

I was part of the DI and digital mastering team for the Star Wars Prequels “Attack of the Clones” and “Revenge of the Sith”.  I then became the lead online editor for “The Clone Wars” animated series for Lucasfilm.  I pivoted to ILM’s VFX production as a vfx editor beginning with “Jurassic World”.

I then moved over to Lucasfilm Animation as an Associate Editor for the Star Wars: Resistance animated series.  There I helped edit the final cuts of each episode to final mastering and broadcast. 

I returned to vfx editing at other facilities around the globe, in Malaysia and Canada where I worked on films such as “Aquaman”, “Star Wars: Rise of Skywalker” and the series “The Mandalorian” and “The Lord of the Rings: The Rings of Power” at Base FX and Method Studios. Then I returned to Northern California working remotely for Assembly (New York) on episodic shows for streaming such as “The Crowded Room” (Apple TV+), “Mrs. Davis” (Peacock) and “The Gilded Age” (HBO).

I’m currently serving as video technician in Silicon Valley performing media data management for a variety of projects. I work on-set and in the studio ensuring quality control and security for various types of productions. My role in production involves the management and storage of camera-original media, transcoding and color-accurate quality control.